Thursday, August 16, 2007

Lost Time...

When Naomi Dorrit revealed that the wreckage of Oceanic 815 had been found with no survivors, my first thought was that 2 planes + 2 pictures of Penny = the Multiverse. I still think that would make a great line for fictional super-nerd Dwight Schrute, who has mentioned both the Others and the Dharma Initiative previously on the Office. But I've come to believe that the second Oceanic 815 was actually staged as part of a cover-up meant to cheat no less a force than fate itself. Oceanic 815 was supposed to crash in the Pacific, killing everyone on board. Against all odds, it crashed instead on the Island with numerous survivors. The second crash was thus faked to prevent the universe from course correcting -- perhaps even catastrophically -- for this significant change in events.



Naomi said two things in particular that really got me thinking. One was that the entire plane had been found with all of the bodies, as confirmed by robotic cameras. Leaving aside the question of how searchers even found the crash site when the plane was underwater and a thousand miles off course, it strikes me as improbably convenient that they accounted for every single body. Naomi's other intriguing comment was that discovery of the wreckage prompted a huge memorial for Charlie and the release of a popular greatest hits album by Driveshaft. Finding those bodies apparently affected a lot of people. Charlie's death was felt worldwide, but the same was undoubtedly true on a smaller scale for everyone else aboard. Funerals were held and folks moved on -- all thanks to the closure those bodies provided.



That reminds me of John Varley's science fiction novel Millenium, which was also made into a B-movie starring Kris Kristofferson and Cheryl Ladd. Two planes collide in mid-air, falling to Earth in a fiery crash that kills everyone aboard. When FAA investigators recover one of the cockpit voice recorders, they discover something strange. Even though the fire didn't begin until after the planes had crashed, a crew member is heard screaming that all of the passengers are already dead and burned. It turns out that time travelers from the future have been abducting people from doomed airliners and replacing them with dead duplicates. The cryptic comment on the voice recorder was because the passengers had been abducted and replaced with burnt corpses in anticipation of the crash.



The reason for taking people who are about to die is that the dead have no future. Changes to the past create temporal paradoxes that ripple through spacetime, causing future "timequakes" as the timeline shifts to compensate. Millenium's timequakes strike me as an interesting metaphor for course corrections, though I doubt the latter are similarly physical. My guess is that course correcting more closely resembles the effects of the temporal "Change War" in Frtiz Leiber's sci-fi classic The Big Time. The premise is that two time-traveling factions (the "Snakes" vs. the "Spiders" -- the rest of us are "Zombies") are locked in combat with all of history as their battlefield. They strike at each other by intervening to change the outcome of key events along the timeline. Here's how one character describes the Change War:
Have you ever worried about your memory, because because it doesn't seem to be bringing you exactly the same picture of the past from one day to the next? Have you ever been afraid that your personality was changing because of forces beyond your knowledge or control? Have you ever felt sure that sudden death was about to jump you from nowhere? Have you ever been afraid of Ghosts -- not the storybook kind, but the billions of beings who were once so real and strong it's hard to believe they'll just sleep harmlessly forever? Have you ever wondered about those things you may call devils or Demons -- spirits able to rage through all time and space, through the hot hearts of stars and the cold skeleton of space between the galaxies? Have you ever thought that the whole universe might be a crazy, mixed-up dream? If you have, you've had hints of the Change War.

The part about the "Ghosts" of people from timelines that no longer exist makes me think of Jacob and the Whispers, both of which have a ghostly quality. I could easily see them being the remains of people who were "erased" from history, perhaps by the original Incident. I'm also struck by the reference of "spirits able to rage through all time and space" -- many, myself included, have speculated that Desmond's electromagnetic "soul" time traveled into the past during Flashes Before Your Eyes. This jibes with the Others' brainwashing video, which states that "only fools are enslaved by time and space." It also fits with Ms. Klugh's question about whether Walt had ever appeared someplace he wasn't supposed to be. Unbeknownst to Michael, Walt had done so on at least two occasions, haunting Shannon with his apparition.



I think the fabricators of that second plane were afraid of becoming ghostly victims of "lost time" themselves. The failure of Oceanic 815 to crash -- and, more importantly, to be found -- threatened to send ripples through the timeline, profoundly unsettling the future. Yes, the universe would ultimately course correct, as it did in the case of Charlie. But the overall picture might still be fundamentally different, as Desmond's changing flashes of the future tend to suggest. So they staged a plane wreck off the coast of Bali and stocked it with duplicates like the ones in Millenium -- perhaps even cloned from those missing hairbrushes that Claire mentioned back in S1. Family members of our Losties gained closure and fans of Driveshaft got their greatest hits album. The rest, as they say, is history...

Thursday, August 02, 2007

The Orchid

As you've probably heard or read by now, the writers dropped a bomb on us at Comic-Con in the form of a new orientation film, purportedly for Station 6, the Orchid. I say "purportedly" not because I doubt the film's veracity -- it has an outtake's air of authenticity. Rather, my speculation is that the Orchid was actually the precursor for the Swan, and what we saw in the film presages the Incident that Dr. Candle mentions in the Swan Orientation. Take a gander at the video on Lostpedia if you haven't already or your recollection requires refreshment. Then consider some of my whackadoo theories about the thing:

Whackadoo Theory 4: When Swan was in operation, the Island existed a 108 minutes out of phase with our timeline.

Whackadoo Theory 8: Oceanic 815 did indeed crash killing everyone on board. But System Failure opened a wormhole that plucked the plane out of our timeline 108 minutes before it crashed, changing the future so that the plane now crashes on the Island where some survive. The second Oceanic 815 crash was staged ala Capricorn One to prevent a massive course correction.

Whackadoo Theory 15: A poster named Founder speculates that Dr. Candle lost his arm shaking hands with one of his twins. Let's say Wickmund meets Allowax after a wormhole experiment gone awry. They shake hands, resulting in KABOOM! When the dust settles, there is only one person with a whole new name, Dr. Marvin Candle.

Whackadoo Theory 16: Jacob is someone who was erased from the timeline by the Incident.

Whackadoo Theory 23: The Others are timeline twins of certain people who were present during the Incident. Let's say Richard Alpert was originally a member of Dharma. An experiment plucked some version of himself from another point in the timeline like the bunnies in the film. To avoid a temporal rift, they tried to return this twin Richard back to his proper point in the timeline. Unfortunately, they ended up blasting him waaaaaaaaay back in time. Like several centuries. Doesn't explain how Richard has survived this long. But it would explain why such an old soul speaks perfect modern English, even lecturing Ben on the meaning of the word "hostile."

Whackadoo Theory 42: The Island's Casimir Effect creates a kind of static warp bubble modeled on the Alcubierre Drive.

Sunday, July 22, 2007

Cause and Effect (Revised)

The first iteration of this theory (available here) got bogged down by some controversial science. So, I thought it might be worthwhile to revise and refocus the discussion on some of the other topics I'd hoped to discuss.

Okay, science and philosophy fans, this one's for you. For some time, we've puzzled over the appearance of various Island elements (e.g., the Numbers, Kate's horse, the Dharma octagon, etc.) in the flashbacks of our Losties. One plausible explanation is that they're the victims of an elaborate conspiracy that brought them to the Island. I agree there's a conspiracy afoot but don't believe it explains the foregoing things. My paradoxical speculation is that the survivors of Oceanic 815 brought themselves to the Island, which is why it looms so large in their respective pasts. To understand how, let's begin with Desmond's namesake, Mr. David Hume.



Hume was an empiricist and believed that we can only know what experience tells us. One of his great philosophical contributions was the notion that causation is really nothing more than our observation of the conjunction of two events. We see A followed by B enough times and infer that there must be a necessary connection between them -- i.e., A causes B. Hume argued that this inference was faulty no matter how often A is followed by B. Constant conjunction is not synonymous with necessary connection. Hume's claim is pretty wild when you think about it. He basically argued that there's no reason beyond our own experience to think the sun will rise tomorrow.



Fast forward several centuries to Albert Einstein, whose general theory of relativity threw a further wrench in the causation works. Einstein established that mass literally warps the geometry of spacetime, giving rise to gravity. It turns out that some valid mathematical solutions of general relativity involve "closed timelike curves," allowing for at least the theoretical possibility of travel into the past. To see why, imagine yourself at the intersection of two vast cones of light. The cone behind you represents all of the past events that could have had some causal effect upon you. Ahead of you is a cone of all possible events that you could affect in the future.



Ordinarily, these past and future light cones point away from each other in spacetime, thus preserving the illusion of history. In theory, however, some strange warp or wrinkle in spacetime could cause your future cone to tip such that it loops around and intersects with the past, creating the aforementioned closed timelike curve. Princeton astrophysicist J. Richard Gott (who also claims to have calculated the time left before humanity's extinction) analogizes such loops in spacetime to Magellan's circumnavigation of the globe or an MC Escher painting. The result is that one can -- again, in theory -- have a causal effect on events in the past.



When Desmond activated the Fail-Safe he created such a closed timelike curve by briefly projecting his consciousness through time. His past and future perspectives merged momentarily, leaving him with a kind of temporal "double vision" that permits him paradoxically to remember the future. Desmond's brief flashes of future events are the product of his mind making sense of these dual perspectives a bit like how your brain processes two different images to create a 3D stereogram. The result is an enhanced perception of time that Crimson Rabbit analogizes to Dr. Manhattan's 4D perspective in Watchmen and that Zombie Soiree terms the "4D Eye."



What's more, I think everyone on the Island during activation of the Fail-Safe was affected to varying degrees by their proximity to that event. Eko and Locke were closest to ground zero and probably experienced similarly strong reverse causality. Unlike Desmond, of course, Eko and Locke didn't travel consciously through time. As Doctor Hanso notes, however, Locke experienced prophetic dream visions immediately following activation of the Fail-Safe and may have affected the past to make Anthony Cooper come out of the Box. I also wonder if the drug plane's presence can similarly be explained as Eko somehow influencing past events to effectuate the present.

All of which brings me back to my core premise that the survivors of Oceanic 815 brought themselves to the Island. Unlike Desmond, Eko, and Locke, these folks were further away from ground zero, lessening the affect of the Fail Safe upon them. None of our other Losties traveled consciously through time, and my guess is their impact on history was more limited. The principal manifestation is a subconscious attraction to each other and certain Island symbols. That's why their flashbacks contain so many improbable inter-personal connections and coincidences involving the Numbers -- future events are paradoxically causing subconscious effects in the past.



The analogy is to one of my favorite episodes of Star Trek: TNG, also titled "Cause and Effect." The Enterprise gets caught in a temporal causality loop where events repeat themselves, culminating each time in a catastrophic collision that resets the loop and erases any conscious memory of what's happened. Crew members realize something is wrong when they have apparent flashes of the future (e.g., what cards will be dealt in a poker game) and hear whispers that turn out to be echoes of past iterations. In an effort to break free, they send a subconscious clue to themselves in the past using Mr. Data whose positronic brain can detect "dekyon" transmissions. Data isn't consciously aware of the message -- it's more like post-hypnotic suggestion. For example, as the dealer in the aforementioned card game, he stacks the deck without even realizing it, dealing all 3s instead of the cards the characters expect. Ultimately, this provides the clue that allows them to break out of the loop.

I'm not convinced our Losties are/were caught in such a temporal causality loop, though Danielle's automated distress would work well as a metaphor for that effect. I do, however, think that time on Lost is circular -- i.e., past, present, and future exist simultaneously ala Aboriginal Dreamtime. As a result, it's possible for characters to contact (and perhaps even meet) versions of themselves from other points along the timeline. The Fail-Safe basically blasted our characters thoughts and experiences into the past like the Dekyon transmission in Cause and Effect. As a result, they were left with a kind of post-hypnotic suggestion that draws them unconsciously to each other, various Island symbols, and ultimately the Island itself. That's why these elements recur with such frequency in their flashbacks.




At this point, you may be wondering whether the very paradoxical character of such a reverse-causation scenario renders it impossible by definition. Thanks to Hume, however, we can't rule out causal paradox on metaphysical grounds. Accordingly, most scientists believe that the physical universe operates somehow to prevent or otherwise correct for paradoxes in the timeline. One famous speculation in this regard is Stephen Hawking's Chronology Protection Conjecture, which holds that the laws of physics prevent backwards time travel at all but microscopic scales, thereby foreclosing any possibility of temporal paradox.

Hawking uses the metaphor of a Chronology Protection Agency, "which prevents the appearance of closed timelike curves and so makes the universe safe for historians." An alternative approach is the Novikov Self Consistency Principle, which permits backwards time travel at the macroscopic level, but posits that the universe self-corrects against any alterations to the past that would yield causal paradoxes. A third solution relies upon the many worlds interpretation of quantum mechanics, positing that any changes to the past occur in alternate or parallel histories, thus resolving any apparent paradoxes.

Then there's the view on Lost, articulated by a character aptly named Ms. Hawking, who preaches a variation of the Self-Consistency Principle like a Chronology Protection Agent come to life. According to her, "the universe, unfortunately, has a way of course correcting." I take this to mean that Des is now part of a closed timelike curve caused by his activation of the Fail Safe. If he chooses not to go to the Island, press the button, and turn the key, the result will be major causal paradox, triggering a catastrophic course correction in which "every single one of us is dead." At least, that's what Ms. Hawking wants Desmond to think -- I'm not convinced she's being entirely truthful.



That's where the conspiracy I mentioned previously comes into play. I think the fallout from activation the Fail-Safe mirrors that from the Incident years before. Like Desmond, the Swan scientists traveled consciously through time. Unlike activation of the Fail-Safe, however, the Incident radically altered history -- apparently for the worse. Casual Mark Wickmund in a turtleneck became authoritarian Marvin Candle in a lab coat. These changes sent ripples throughout the timeline, resulting in a whole new future. Chronology Protection Agents like Ms. Hawking, who may well hail from this new future, are fighting to preserve it from disruption by the Fail-Safe.



It may even be that the Fail-Safe was supposed to be a kind of course correction for the Incident. Perhaps the Chronology Protection Agents intervened, preventing major alterations by somehow cheating fate. I wonder, for example, if the second wreck of Oceanic 815 was staged as part of the effort to incorporate the crash into history while minimizing any ripple effects on the future. Even so, the Fail-Safe remains a dangerous point of instability in the timeline that can't be erased without having further deep chronological impacts. Thus, the Agents now have strong incentive to ensure that nothing upsets this particular aspect of history, as well.

That's why, while I maintain our Losties brought themselves to the Island, I think the Chronology Protection Agents were probably watching most of the way, poised to intervene if anyone pulled a Desmond. In fact, I believe we've met at least two other Agents besides Ms. Hawking. One was Brother Campbell, who had a picture of Ms. Hawking on his desk. And the other? That would be the guy in the Hawaiian shirt who accosted Jin in the airport restroom just as the latter was considering running off with Sun instead of boarding Oceanic 815. Dude spoke creepily perfect Korean and claimed to work for Mr. Paik, but my guess is that Hawaiian-shirt guy was a Chronology Protection Agent.

Monday, July 09, 2007

The Wolves of Calla...

A comment by a fellow blogger Annie in response to my post Thoughts on the Brig recently prompted me to revisit the Wolves of Calla, which is probably my favorite installment of his Dark Tower series. I'd frankly forgotten the number of striking similarities between that book and Lost, especially Seasons 2 and 3. In my estimation, Wolves is right up there with Watchmen as a major influence on the show. Off the top of my head, both works feature:

* Characters in wheelchairs.

* Characters with drug addiction.

* Characters with multiple personalities.

* Kidnapped children.

* References to the Red Sox never winning the World Series.

* References to Fate and loops in time.

* References to music and vibration.

* Strange products (e.g., Apollo Bars) that resemble familiar items but are different.

* Mysterious manufacturers (e.g., Dharma Brand foods) with no discernible place of origin.

* Characters developing psychic powers.

* Large banks of television screens connected to cameras that the bad guys use to surveil the main characters.

* Characters encountering each other a second time in "another life."

I could go on...the parallels are really eerie.

Wednesday, June 27, 2007

One Timeline or Two?

Okay, fellow Lost theorists, I'm stuck in a speculative loop and am turning to the collective consciousness for help. Let's assume, for the sake of argument, that the flash forward in S3E22 depicted an alternate timeline where Christian is now alive. Is that timeline "alternate" in the sense that somewhere else in the spacetime continuum there's a separate reality where Christian is still dead? Or is it simply "alternate" insofar as a single common timeline has been altered (e.g., by Desmond's trip into the past) resulting in a very different future? In this post, I'd like to expand a bit on both of these scenarios and get your feedback concerning each.

MIRROR, MIRROR
Let's begin with the former possibility that there are two (or more) mirror timelines. That's the premise of my theory When Alternate Realities Collide, in which I suggest that the Island is basically a conduit between two realities, light and dark. Under this theory, the first Incident could have involved scientists making mental contact with their "twins" in the mirror reality. The analogy here is to Desmond, who may have crossed minds with his twin in an alternate time-line during S3E8, much like the son in the film Frequency makes radio contact with his father in an alternate timeline. In the case of the Incident, the Swan scientists made psychic contact with their mirror reality twins, drawing them to the Island.



One of the first may have been Dr. Mark Wickmund's counterpart, Marvin Candle, who landed on the Island and lost his arm in a confrontation with the Cerberus security system. After some confusion, the scientists realized that the two timelines were beginning to merge via the Island conduit. In an effort to preserve both realities, Dharma became an experiment in whether people drawn literally from different worlds could co-exist harmoniously. The Linuses were among the first of these test subjects, though it's possible that some of the people who arrived with them had twins who were already present. This could explain why, as a poster named Dark UFO notes, some of the same people seen exiting from the submarine are glimpsed shortly thereafter in the Barracks Orientation Video.



To prevent further incidents, the Island was quarantined out of phase with both realities. Swan Station was redesigned to plug the leak from the electromagnetic anomaly, thus preventing the Island from reaching the critical energy level of "42." To deter one timeline from exploiting the anomaly to alter or destroy its counterpart, Swan was staffed by representatives of each reality. The containment device itself was sealed behind a thick concrete barrier to discourage tampering. The Numbers protocol was the ultimate insurance policy, offering both sides powerful incentive to continue staffing the Swan. Every 108 minutes, someone had to manually enter the code or the resulting implosion would destroy both worlds simultaneously. Think of the Doomsday Device in Dr. Strangelove...



A SOUND OF THUNDER
So what about the possibility of a single timeline? Under this theory, the first Incident may have hurtled the Swan scientists temporarily back through time like Desmond following activation of the Fail Safe. Though the scientists made only slight changes, their cumulative effect on the timeline was still profound. The analogy here is to the Ray Bradbury short story A Sound of Thunder, wherein the destruction of a single prehistoric butterfly alters the future dramatically for the worse. The story is meant to represent the so-called Butterfly Effect -- i.e., the notion that some systems are so sensitive that even minor variations in initial conditions can yield major differences in outcomes over the long term. As a poster named Lostmommy notes, the butterflies displayed on Ben's desk during S3E13 may well be a reference to the Butterfly Effect.



My guess is that the Island is somehow insulated from such alterations to the timeline. As with Desmond and the survivors of Oceanic 815, the Swan scientists may not have realized that the the outside world had changed until visitors showed up on the Island. My guess is that a delegation from the Hanso Group landed led by none other than Dr. Marvin Candle, who was previously known as Mark Wickmund before the Incident changed history. Tragically, the Cerberus security system failed to recognize Dr. Candle and attacked his delegation. This could explain why, as a poster named Mike NY notes, the Blast Door Map refers to "5 fatalities" near the Swan. Once everyone realized what had happened, the nature and purpose of Dharma shifted.

To prevent further alterations to the timeline (e.g., for personal reasons) Swan became a containment device that limited the Island's effect on past, present, and future. Dharma devoted itself to creating the kind of human being who could manipulate history responsibly. The hope was that some day, someone worthy would turn the Fail-Safe key, sacrificing himself to save everyone -- i.e., the Dr. Manhattan Project. I like this particular angle because it resonates with the themes of heroism that the writers have taken pains to emphasize of late. It also explains the elements of a psychological experiment that permeate so many of the Stations. It's entirely possible the whole purpose of the Pearl and Swan was to trigger another Incident, giving a true hero the power to save the world.



So that's my dilemma, fellow Lost theorists, and I'm eager to eat, er, pick your brains. If the choice is between mirror Spock or A Sound of Thunder, which do you favor, one timeline or two?

Thursday, May 31, 2007

The Christian Resurrection...

The more I think about it, the more I'm convinced that Christian Shepherd absolutely, positively has to be alive. Okay, maybe not "absolutely, positively," but I'm pretty sure and here's why. We know from the newspaper that the events of the flash forward take place in 2007. If this were the same reality they left, that would make three years since Jack accused his father of malpractice, prompting the latter to flee to Australia, where he died. At a minimum, therefore, the "new chief of surgery" couldn't be replacing Christian in that position, which would have been filled shortly after the latter vacated his post in 2004.

Some skeptics argue that Jack's reference to his father being "upstairs" was the ranting of an addict. As messed up as Jack seemed to be, he didn't strike me as so out of his mind that he'd forget his father was dead. Others apparently felt the same way -- Jack hadn't been stripped of his access to the hospital or his medical license so far as we're aware. Indeed, the new chief of surgery felt compelled to use exhaustion from the accident as an excuse to deny Jack's demand to operate. If Jack had been stripped of his operating privileges, the chief would have said so, end of story.

What cements it for me, however, is Jack's encounter at the pharmacy. Let's recall what happens, keeping in mind that Christian would have been dead for three years at this point. Jack has a dispute with the pharmacist, who refuses to fill his prescription after checking it on the computer against some kind of electronic database. Jack then presents her with Christian's scrip, which she says she'll have to verify by phone with Christian's office. But even if she hadn't telephoned -- and this is key -- she still would have checked the prescription against the same electronic database that she did with the first. And that database almost certainly would show if Christian were three years dead. Ergo, the Christian resurrection!

Tuesday, May 29, 2007

When Alternate Realities Collide...

I've long believed that the events of the Lost Experience ("TLE") were meant to parallel what's happening on the show. I suspect, for example, that Ben imprisoned Jacob much like Thomas Mittelwerk did Alvar Hanso. But after the Season 3 finale's intriguing hints of a parallel "looking glass" reality, I think the connections may well run deeper and prove even more direct. Fans will recall that TLE was billed as an "alternate reality game." At the time, I interpreted this description as an attempt to capitalize on the popular ARG phenomenon, as well as a metaphorical comment on the effort to build a new world for Lost on-line. Now, however, I wonder if this characterization of TLE events as constituting an "alternate reality" was meant to be quite literal.

I'm not referring to the Island itself, which is more like a conduit between worlds. I submit that the survivors of Oceanic 815 left our reality when they crashed, then entered the alternative TLE reality when Naomi's freighter rescued them. The major clue for me is Christian being alive in the big flash forward. But even if Jack's references to his dad were the ravings of an addict, Kate's appearance sans disguise, driving a nice car and maybe even married(!) points to some pretty major changes. Then there's the funeral, which I'm assuming was for someone they (and we) knew well. We didn't learn precisely who because the deceased, unlike Jack, apparently adopted an alias upon returning to society. Maybe this person discovered that he/she was already dead or never existed in TLE reality...



Remember Geronimo Jackson, the band whose album we saw in the Swan Station? I'd never heard of them and neither had Charlie, despite being a self-professed expert in all things musical. Yet Rachel Blake (i.e., a TLE character who turned out to be Hanso's granddaughter) casually quoted a Geronimo Jackson song as if we'd be sure to get her reference. I believe this is because Geronimo Jackson (like Blake and Hanso both) actually originated in TLE reality. Admittedly, a few people in our world know of the band -- the writers and Eddie (i.e., the undercover cop who got a Geronimo Jackson t-shirt from his father). But these anomalous appearances are actually exceptions that probe the rule -- they suggest that TLE reality is bleeding into our own, presumably via the Island conduit...



So how does the Island serve as this bridge between alternative realities? Whether by freak of nature or advanced technology, the Island exists out of phase with TLE reality and our own, occupying both and neither simultaneously. As a result, people and things can cross from one world to the next via the Island -- the trick is finding it in the first place. My suspicion is that knowing the right physical location is not enough by itself. Access further requires that the Island be in phase with reality like guitar strings vibrating together in harmony. That's the significance of the Looking Glass code, which was the opening notes to Good Vibrations. It also explains Charlie's reference to the Flash, who traveled to parallel earths in the DC Multiverse by vibrating at different frequencies.



Another important clue along these lines may actually be the Numbers. Most interpretations focus on the symbolism of specific numerals or the mathematical relationships between them. Few, however, consider the significance of six, which is the total number of Numbers. It turns out that six is the minimum number of values required to specify the state of an object at any given moment in three-dimensional space -- three components of position plus three more of momentum or velocity. Sometimes, for statistical purposes, it's useful to imagine the object moving through a six-dimensional "phase space" wherein each point along its trajectory can be expressed as a list of six numbers describing a different state of the object in question. Here's a phase portrait of a simple pendulum:



Phase space is imaginary and can't be experienced like physical space. But the concept may nonetheless be crucial to finding the Island because it describes more than just physical location. Practically speaking, the Island must attain the proper energy state, as expressed by all six of the Numbers, to be in phase with (and thus visible to) both realities. The Swan Station was apparently designed to make the Island inaccessible by preventing it from reaching that energy state. When Desmond was late entering the code, Swan's containment system briefly failed, allowing the Island to reach an energy state that made it visible to Oceanic 815. Now that Swan has imploded, the Island may be permanently in phase, or cycling regularly in and out of phase, with our reality and TLE's.

But wait, you might be wondering, didn't TLE establish that the Numbers refer somehow to humanity's extinction? In fact, they do, and here's where things get really interesting. I mentioned in passing that depicting trajectories through imaginary phase space is sometimes useful for statistical purposes. More specifically, such phase portraits are used in all manner of fields to make probabilistic predictions about the future behavior of dynamical systems. Enzo Valenzetti was, of course, a mathematician and expert in probability. His eponymous equation could presumably be depicted as an abstract phase portrait. That's why the Numbers are the "core factors" of the Valenzetti -- they describe the starting point for the Apocalypse in 6-D phase space.

So why is the Island ground zero for this impending catastrophe? Ironically, it's the fault of the Dharma Initiative, which hailed from TLE reality. Somehow, in the course of studying the Island, the scientists inadvertently created a link with our world (i.e., the first Incident). That allowed people and things to cross over from our reality into TLE's -- and vice versa -- creating countless paradoxes large and small. The Swan Station was basically, as Kelvin suggests, a plug in a giant dam. It was meant to prevent further leakage between our two worlds, which Dharma realized -- too late -- would cause humanity's extinction in both realities. Unfortunately, Swan merely postponed the inevitable catastrophic merging of these twin realities, much like Desmond only delayed Charlie's demise.



The merging process resumed with the crash of Oceanic 815, when the Island briefly reached 4,8,15,16,23,42 due to Desmond's delay in entering the code. Now that Swan has imploded, and the Island occupies this six-Number state on a regular or permanent basis, the process should accelerate. Indeed, as several posters have noted, the purple sky that followed Swan's implosion echoes the "red sky" event in Crisis on Infinite Earths, which presaged the merging of the DC Multiverse into a unified reality, destroying all other parallel earths. The survivors of Oceanic 815 are merely one manifestation of a similar phenomenon. Another is people with special abilities like Desmond and Walt. In a nod to Donnie Darko, they're "living receivers" whose powers are meant to facilitate this merging of "tangent universes" into one.



So is it really inevitable that we all die as a result of this merging? That's where the analogy to Charlie saving Desmond comes back into play. Des wondered if taking Charlie's place might somehow free the latter from his cycle of inevitable death. Along similar lines, I wonder whether one reality might be preserved by somehow sacrificing its twin. In fact, if you really want to follow me down the rabbit hole and through the looking glass, consider the possibility that there's a hidden fight for the future presently taking place on Lost. Perhaps the end game of the show will be all about whether light or dark prevails when alternate realities collide...

Thursday, May 24, 2007

Thoughts on Through the Looking Glass...

Memo to Heroes creator Tim Kring:

I sincerely hope you learned a thing or two from your buddy Damon last night, because Lost's brilliant Season 3 finale was pretty much everything Heroes' wasn't. Two taut and suspenseful hours, paced perfectly and filled with action -- just compare Peter and Sylar's anticlimactic showdown with the Others' ill-fated raid or Jack's bloody beat down of Ben. I dare say this was my favorite Lost finale thus far, surpassing both Walt's kidnapping and the implosion of Swan Station. And that's despite knowing what the huge twist -- the Snake in the Mailbox -- would be beforehand. I've been spoiled for all three finales, but this time the twist remained powerful despite my lack of surprise -- and perhaps in part because of it insofar as I was free to focus solely on the implications.

Let's begin on that last note -- what did you all think of the flash forward? Gotta say, add Foxy to the list of actors on this show who deserve serious Emmy consideration. I was actually a fan as far back as Party of Five, but his portrayal of a dude on a downward spiral was so credible -- Fox does drunk frighteningly well. The analogy that occurs to me is Nicholas Cage in Leaving Las Vegas, another darkly compelling depiction of addiction. Anyway, I'm curious how many of you who weren't spoiled saw the big twist coming. Did you think at any point that it might not be a flashback? I could see someone putting it together when they saw Jack sitting in the room full of maps...

The implications of their getting off the Island are, of course, staggering. Before we go there, however, I want to highlight two brief points. First, did you catch Jack's repeated references to his father? Christian is alive! Second, and relatedly, was it just coincidence that a car accident occurred just as Jack was about to jump off a bridge? It's almost like something was keeping Jack alive to fulfill some purpose. I'm also reminded of Hurley's string of bad luck after using the Numbers. Something is drawing Jack back to the Island, and I submit to you that this something is Fate. His descent into misery is the course correction for his regretful decision to get them rescued.

And what was so wrong with this seemingly noble act? Part of the answer goes back to Christian still being alive. My suspicion is that this isn't the result of some miracle of science. Rather, Jack and Co. didn't return to the same reality they departed from when they originally left Sydney and crashed on the Island. The big things are no doubt the same -- Al Gore isn't President and didn't personally strangle Osama Bin Laden in this reality, which was created when Des time traveled into the past. But there are small but significant differences that suggest our Losties don't belong in the reality they now inhabit -- and Jack knows it.

So what will next season look like? Presumably a portion will depict Jack's efforts to convince our key Losties to return with him to the Island -- but how much? Part of the reason I love this development is that it opens up so many narrative possibilities. At the same time, if handled poorly, the move could backfire spectacularly. I think it would be a big mistake, for example, to jump the main story forward in time like Battlestar Galactica did. My hope is that they will continue along the same timetable, chronicling the rescue just as they have all other events on the show, but replacing flashbacks with flash forwards that detail certain characters' efforts to return to the Island.

That strikes me as an appropriate balance and great way to keep the show fresh since the flashback format could easily get stale with three seasons to go. I could then see the main story and flash forwards intersecting naturally at the end of Season 5. It's also possible, of course, that they won't alter the format at all, that the flash forwards in the finale were just a one-time thing. Either way, kudos to the writers for having the creative boldness even to raise this possibility, which I would urge them to embrace as the format going forward. Here are some other questions/observations that I had:

* Why was Ben so adamant that they not leave? Does he realize they don't belong in Naomi's reality? Or has he had a flash of the future regarding their destiny on the Island?

* Whose funeral did Jack attend? My first thought was Sawyer, since Jack seemed to be expecting Kate. If so, however, why didn't she show? I also wonder if the empty funeral was supposed to underscore their failure to belong in this reality...

* Do they all leave the Island? Locke obviously acted to prevent their departure and presumably remained behind. But would their rescuers let them? I don't fully believe Ben's characterization of what Naomi's people would do (i.e., kill everyone on the Island) but Penny's comments do see to suggest that their motives aren't pure...

* On that last point, did anyone else find it odd that the Looking Glass terminal tuned automatically to a channel that Penny Widmore answered? The only thing I can think is that it was a link meant for her father, Charles Widmore...

* Also, am I correct that the Looking Glass was jamming the Others' transmissions? And, if so, how long has this been happening? Was Tom wrong when he attributed the Others' communications difficulties to the purple sky? That would certainly explain why Danielle's radio transmission was unaffected. But it also opens a huge can of worms because it suggests the purple sky wasn't and EMP...

* According to Ben, Dharma had only 40 members at the time of the Purge. Does that strike anyone else as low?

* Hilarious seeing how much Walt has grown since we last saw him on the show. I kept waiting for him to launch into that Brady Bunch song about your voice changing...

* I'm assuming, of course, that Locke actually witnessed Jacob, not Walt, while in the Dharma pit. Does anyone disagree?

* If Mikhail is such a loyalist, why did he save Naomi's life? Just to deprive them of the satellite phone?

* Charlie's death was handled really well -- loved how he used the Sharpie to deliver his last message NOT PENNY'S BOAT...

* Who was the musician who programmed the Looking Glass? I have to admit, the whole premise of the code being Good Vibrations cracked me up. Made me think of the scene from South Park where the character Towelie tries to remember the code to the base where he was created:

Wait a second...that's it!

That's the code?

Naw, that's the melody to Funky Town! Won't you take me down...to Funky Town...

LOL -- don't forget to bring a towel!

* Lastly, I'll be updating and substantially revising some of my favorite theories over the course of our upcoming long hiatus, starting with the Mind of Magnus, which will be ready shortly. So stay tuned -- there will be plenty to discuss in the dark months ahead!

Monday, May 21, 2007

Podcast Question...

In the most recent podcast, Darlton suggest that the Looking Glass is the underwater station mentioned on Kelvin's map. My question is, what on earth are they talking about? I've spent more time than I'd care to admit examining the Blast Door Map and can't recall any reference to an underwater station. Anyone have any ideas?

Thursday, May 17, 2007

Thoughts on Through the Looking Glass...

Neither Charlie Pace nor the actor who plays him (i.e., Dominic Monaghan) has ever been my personal favorite. But I'll admit feeling more than a bit sentimental as I watched Charlie prepare to sacrifice himself for the greater good. It's testament to Dom's acting and the quality of the writing that Charlie's actions and emotions seemed so natural -- the episode could easily have slipped into the maudlin. I also loved the use of the list of his personal "greatest hits" to frame the flashbacks, something they've never done before. And even though I knew from Insider Scoop's synopsis that Charlie would make it through the Looking Glass, I still let out a breath of relief when he emerged from the diving pool to find the station miraculously unflooded.

The big plot point was obviously Desmond's vision of Claire and Aaron's rescue -- albeit at the cost of Charlie's life. I found it curious (not to mention frustrating) that we weren't privy to Desmond's flash of the future. My first thought was that seeing from Desmond's perspective would distract from Charlie's episode, though my friend MB suggests another disturbing possibility -- Des may not be telling the full truth about what he saw. Either way, I was struck by Desmond's suggestion that his taking Charlie's place might somehow break the cycle. My suspicion is that Desmond's suggestion was key, though not for the reason he thinks. Perhaps, like many of our Losties, Charlie makes his own luck and cannot be killed until he chooses.

Des seems to believe that he's the one defying fate every time Charlie is saved. But what if it's Charlie himself who has been affecting probability, spurring Desmond to intervene each time to save his life against all odds? Remember, Charlie survived a catastrophic plane crash and Ethan's hanging, all without Desmond's help. Perhaps, the only way for Charlie to seal his fate was for him to refuse Desmond's (improbable) offer to take his place. Anyway, here are some other comments/questions I had about last night's episode:

* Does this mean our Losties are finally going to get rescued from Craphole Island? And if so, what on (or off) Earth will the next three seasons be about?

* If they do get rescued, will some of our Losties (e.g., Locke) remain behind?

* And what of those who might make it off the Island? Don't forget Danielle's suggestion to Sayid way back in Season 1 that she killed her crew because she was concerned they might get rescued...

* Speaking of Danielle, when did she and Jack get together to talk about the dynamite? She went to the Black Rock back in Man From Tallahassee...

* What is the significance of Charlie's grandfather, Dexter Stratton? I've a hard time believing that name (and ring) won't figure again somehow in the story...

* How about that Looking Glass Station? Looked like something out of a Bond film -- e.g., The Spy Who Loved Me -- right down to the sexy female staffers who held poor Charlie at gunpoint. If ya gotta die, might as well be at the hands of someone hot...

Saturday, May 12, 2007

My Three Jacobs...

After our discussions here and others I've had on other sites, I think there are three main candidates for Jacob's ghost. I'm currently revising some existing theories and working on another that's new, so I'm curious which scenario you all find the most plausible. Keep in mind that the theories linked were both posted BEFORE recent events and thus wrong on a lot of details. That said, feel free to offer any general suggestions for revision and improvement.

1) Jacob is the ghost of Magnus Hanso. Ben's special ability is to channel the Mind of Magnus...

2) Jacob is Alvar Hanso, whom Ben has imprisoned in some ghost-like state.

3) Jacob and Alvar are brothers and the descendants of Magnus Hanso. Alvar eventually left the Island but Jacob remained behind. Eventually, Alvar returned and established the Dharma Initiative to determine whether humanity could co-exist with special people like them, who are destined to take humanity's place as the dominant species on this planet. Jacob was killed in the Incident and now longs to wipe out humanity to preserve His people.

So what do you think? Which of these general explanations do you prefer? My current favorite is some combination of one and three, but I'd love to hear your thoughts!

Thursday, May 10, 2007

Thoughts on The Man Behind the Curtain...

Holy guacamole, Batman, they fried my brain like a taquito last night! This was basically the episode that any theorist who ever speculated about the origins of Dharma and the Others has long awaited. And while it didn't answer all of the big mythological questions, I think we got enough to form some solid speculations about (as Marvin Gaye might say) what's goin' on. Some may say that the title of the episode is an allusion to illusion, and that Jacob does not actually exist. But, while I agree that Ben is lying mentally ill, I'm going to go out on a limb and say for the record that Jacob is 100% real.

More specifically, I think that Jacob is the electromagnetic consciousness of someone who died on Craphole Island. My guess is that He was a powerful psychic and the leader of the Others at the time of the first Incident, which probably killed Him. Maybe, like Dr. Manhattan in Watchmen, Jacob's body was obliterated but His electromagnetic "soul" persisted. Ben is presumably special because he alone among the Others can see and hear Jacob. That's where Ben's mental illness becomes relevant -- like Hurley or Tyler Durden, he has some combination of DID and schizophrenia. This brain structure makes Ben well suited to channel Jacob's consciousness and energy. Ben has become His mouthpiece, speaking for the dead. But who controls whom at this point?

My suspicion, which some of the Others (e.g., Richard) seem to share, is that Ben is holding Jacob's "ghost" prisoner in that remote cabin in the jungle, tapping His powerful mind to maintain power. That's why Ben is so threatened by Locke, who can also hear and see Jacob's ghost. That's also why Jacob's first words to Locke were "Help me" -- precisely what you might expect to hear from a prisoner. I once argued that the Lost Experience is basically a metaphor for the show. Recall that the main plot line involved a dude of dubious origins (i.e., Mittelwerk) taking control of the Hanso Foundation and imprisoning old Alvar Hanso himself. That's basically what's happening on the Island now. Ben has seized control of Jacob's foundation, holding Him prisoner and speaking in His name.

Here are some other things I noticed:

* What was that sandy substance that Locke stopped to inspect? Sure looked to me like a boundary of some sort. Could this be part of what keeps Jacob confined to his cabin? ETA: A poster named koralis speculates that it was a binding circle (used to conjure spirits) composed of the same material that messes with navigation on and around the Island.

* There was definitely a bearded figure in the room with Locke and Ben during the encounter with Jacob...

* How funny was it when Alex gave Locke the gun, then wished Ben a happy birthday? Makes me wonder if other Others have gone to see Jacob -- never to return...

* Ben may have lied about not being born on the Island but I thought it was interesting that he was delivered just outside of Portland -- i.e., Not in Portland, which was the name of Juliet's first flashback episode.

* Ben's teacher stressed that the Island's volcano erupted at some point in its distant past. My suspicion is that this eruption sealed the Fourtoes' civilization under ash and lava like Vesuvius did Pompeii and Herculaneum. Could this eruption have been the catastrophic course correction caused by the Fourtoes' efforts to manipulate fate?

* Has Richard Alpert aged at all since he first encountered Ben as a boy?

* Just how long had the Island's "original inhabitants" been living there prior to Dharma's arrival?

* Will we ever see the events mentioned on the Blast Door Map (e.g., the AH-MDG Incident) depicted on the show?

* Interesting how Ben's little girlfriend was named Annie, which also was one of Kate's aliases. I would say this is a stretch but that strange breakfast on the beach with Ben and Kate has always bothered me. Some connection would make sense, even if it seems improbable...

Sunday, May 06, 2007

Smokey Is a Symbiote...

WARNING: SPIDERMAN 3 AND COMIC SPOILERS

Just in time for Spiderman 3, a quick speculation regarding Smokey, Mikhail, and the sonic fence. One of my favorite Spidey storylines involves an alien symbiote named Venom, who also figures prominently in the film. Venom survives by physically and mentally possessing hosts, who receive enhanced physical abilities in return. Spiderman originally encountered Venom as a black liquid that flowed over his body, actually forming a new costume as it merged with him. I think Smokey may be similarly symbiotic, seeding hosts like Mikhail with its constituent particles and enhancing their strength and health at the cost of mental slavery.



The big clue to this scenario is Mikhail's fake "death" from the sonic fence in Par Avion. Recall that Mikhail thanked Locke for pushing him through it -- a trip that apparently left the former unconscious but not dead. Perhaps Mikhail was merely happy that Locke had provided him with the opportunity to escape our Losties and whatever fate awaited him (and them) in Otherville. I suspect that's partly true but that the full truth is more complex. In Spiderman, the Venom symbiote is sensitive to sonic disturbances, which is how Spidey ultimately purges it from his system. In one memorable scene, having been tricked into re-merging with Venom (comic and movie spoilers -- highlight to read) Spidey uses the sound of ringing church bells to force a separation.



If the example of Venom is any guide, the sonic fence may actually have purged the Smokey symbiote from Mikhail's system, freeing him from the Island's hold and explaining his gratitude. Perhaps this is also why Mikhail was so intent on stealing Naomi's radio -- he senses this is his chance to escape the Island at last. More generally, I like this theory because it links back to pre-existing speculations that Smokey is a body snatcher (e.g., of Christian and Yemi). It appears, however, that a significant portion of the Smokey symbiote is required to reanimate the dead. By contrast, I'm guessing that exposure to even a few microscopic particles can trigger possession of the living.



To clarify, I'm not necessarily suggesting that Smokey is an extraterrestrial, though I also don't mean to rule out that scenario. It's possible that a meteor or comet crashed into the Island, bringing with it the Smokey symbiote. Maybe, like Charlie cracking the hornets' nest in Season 1, Dharma unleashed Smokey in the Incident, necessitating the sonic fence. Still, the alien possession scenario has been done to death. In my opinion, a somewhat fresher angle would be a swarm of symbiotic artificial intelligence -- i.e., a dark take on technological singularity. Maybe Smokey became conscious from exposure to the Island's energies, possessing the dead and living alike in service of some agenda -- but whose and what?

Locke referred to Smokey as the "eye" of the Island (and Danielle described it as a security system) which I've always interpreted to mean that Smokey is merely a tool. I still think it's possible that some consciousness (e.g., Magnus Hanso's or the Fourtoe's) trapped in the Island's electromagnetic field has seized control of Smokey. But I remembered recently that many cultures believe the eyes are windows to the soul. In light of this speculation that Smokey is an artificially intelligent symbiote, I'm wondering if Locke meant that Smokey has merged somehow with the Island, perhaps by possessing most creatures great and small. Like an Old Testament deity, moreover, the Smokey symbiote seems highly judgmental, demanding total submission from its prospective hosts -- on penalty of death.


Thursday, May 03, 2007

Thoughts on The Brig...

* Whoah...that was quite some episode, no? Terry O'Quinn, Josh Holloway, and Kevin Tigh all gave Emmy-worthy performances. And, despite the previews, I didn't fully believe Sawyer would kill Cooper -- not to mention is such a darkly twisted (pun intended) way. It's like TPTB were channeling David Chase and the Sopranos...

* Interesting that Locke chose the Black Rock (as opposed to, say, the Pearl Hatch) to hold Cooper prisoner. Interesting, as well, that Rousseau showed up looking for dynamite -- and didn't seem to be the least bit phased to find Locke with a man locked in the brig. On a tangential note, Cooper's banging reminded me a lot of the scene from both film versions of Solaris wherein the Sartorius/Gordon character has a "visitor" (i.e., manifestation of someone from their past) that bangs around behind a locked door...

* Cooper said that he was in a car accident and the last thing he remembered was one of the paramedics smiling before injecting him with something. Cooper claimed to have awakened in the dark room where (and when) Locke confronted him. There are at least two odd things about Cooper's tale. First, does the smiling EMT and injection imply that Mittelos brought him to the Island? Recall that Juliet was knocked out for her journey. Recall, as well, that Ben told Tom to bring the "man from Tallahassee" (i.e., Cooper) which brings me to oddity two. Was Cooper sedated for the entire time he was on the Island, or was he lying? Or did he die off the Island and get resurrected on it? Perhaps via Smokey?

* On that last point, I found it curious that Cooper's story about Oceanic 815 's recovery so perfectly matched Naomi's. That may be for our benefit, and both could be victims (as opposed to perpetrators) of some cover-up, but I remain a tad suspicious until Naomi's bona fides are better established. In light of the podcast I linked to the other day, I could also see this as part of some further ruse to make our Losties resign themselves to life on the Island...

* The problem with the foregoing is the satellite phone, which Mikhail genuinely seemed to covet, and Sayid seemed to believe was real. (BTW: How hilarious was Hurley's explanation to Kate: "Uh, we found it in the luggage?"). But what was causing the interference, especially now that the Flame station was destroyed? Is this once again interference from the mysterious radio tower that Danielle mentioned? From the Island's EM field? Or is this further proof they're inside Desmond's snowglobe?

* Regarding the latter, Cooper's reference to them being in hell harkened back to Season 2, when Ben/Henry said God couldn't see them. I interpreted that line as proof they must be inside some sort of higher dimensional "box" but a poster named Ed Muse made a great counterpoint -- the one place God can't see them is hell. Check out Ed's take on 325 (the course Ben gave to Michael) which is positively brilliant even if I'm not sure I agree. What's really interesting is that the "answers" offered by recent episodes can stil be taken both ways.

* What did Juliet want to tell Kate? My first thought was the latter must be pregnant but the former's comment seems to be prompted by Kate's references to Naomi and the radio. I wonder if Juliet told something to Jack (e.g., the aforementioned interference and snowglobe possibilities) that would make him think satellite contact and/or a helicopter crash would be impossible. Perhaps they suspect another scam...

* If the Others are indeed working a scam, I suspect it's about to unravel. I had thought that Ben and Richard were on the same page but the latter's comments to Locke would suggest not. Indeed, Ben seemed perturbed when Locke repeated what Richard had told him. Is it possible Richard deliberately opened the "door" for Oceanic 815 as part of a move against Ben? Do Alpert's trips to the outside world make him somehow unwilling to tolerate Ben's iron rule?

* I also found it interesting how Richard introduced Locke to the Others preferred modus operandi -- getting someone else to do your dirty work. It's almost like Ben was testing Locke, and Richard gave away the answer -- presumably for Alpert's own purposes. I have a suspicion, however, that Locke is about to confound everyone's plans for him...

* A couple of interesting religious references last night. Ben's command that Locke sacrifice Cooper struck me as another (ironic) reference to the story of Abraham and Isaac. I was also struck by the disturbing image of Locke carrying his dead father's body -- talk about a cross to bear. A poster on the fuselage named Black Lotus has an interesting theory that Locke is a Messiah figure. I tend to think Aaron is the Messiah and that Locke is a kind of "John the Baptist" figure. After last night, however, it may be time to reconsider...

Monday, April 30, 2007

D.O.C. Podcast...

The latest podcast is out, and it seems to support the Island of Lost Children, but to contradict my multiverse explanation for the Oceanic 815 wreckage mentioned by the Parachutist (who we also learned is named Naomi Dorritt). Here's a summary and link courtesy of Dark UFO's blog:
Thanks to Sick_Passenger for the extended highlights below.

- Jin IS the father of Sun's child.

- The sperm count of males on the island is 5 times greater.

- Sun is responsible for Jin's "mob-life" - It's a catch 22.

- The parachutist's name is Naomi Dorrit (sp?)

- The Losties are NOT in purgatory.

- Other possible explanations for Naomi's comment about 815 (1. She's lying, 2. Conspiracy theory)


- In the next episode she will delve further into what her mission is.

- Mikhail is alive (1. The fence was not turned up high enough to kill him, 2. He DID NOT come back from the dead)

The Brig:

- The Other's are on their way to "someplace".

- We will find out how Cooper got to the island.

- What happened between Locke seeing his father tied up and when he said good-bye to Kate.

- A lot of things will be answered.

- The flash on Hurley in Catch 22 was only a lens flair.

- Think pseudo-science and borderlands of the supernatural for explanations of LOST.

- They will be revisiting the psychic's predictions for Claire in the future as well as Walt's abilities.


- The Others' obsession with children & pregnancy goes beyond the inability to successfully bear children on the island.


- The Other's definitely have an interest in children with special abilities. That's why they took Walt.


- There are two factions of The Others & and are in no relation to the hatches/stations.

- They will be getting back to the statue before the show ends.

Thursday, April 26, 2007

Thoughts on D.O.C....

I'm going to start with the obvious -- what did the Parachutist mean when she said they found Oceanic 815 and there were no survivors? One possibility is that the Others collected the wreckage and staged a fake crash scene elsewhere to protect the Island. But so many people survived the crash -- where did they get all those replacement bodies? I think there's another answer that better fits the facts we know thus far. As I've argued previously, the presence of a second photo of Penny and Des implies that the latter's trip back in time created a causal paradox. Yet, if we have a second photo, why not a second plane -- one that crashed killing everyone onboard in the part of the multiverse that Penny and the Parachutist are from?

It's a brain fryer to be sure, but recall the image from In Gott We Trust of the universe with branching baby universes -- those various branches are dimensions of the multiverse. Each time someone special like Desmond creates a causal paradox in one of these dimensions, a new branch of the multiverse is created, thereby resolving the paradox. The Island appears to be a kind of interdimensional nexus of the multiverse, outside of spacetime and thus accessible from all branches equally. In the dimension where Des is originally from, Penny probably doesn't have a photo and isn't even looking for him. But because Des created a parallel dimension (or branch of the multiverse) by traveling back in time, there now is a Penny who does and is.

This is actually how some scientists, including Gott and noted string theorist Brian Greene think time travel might work. Fellow fans of the show Heroes should watch for an even more explicit (spoonfed?) take on this science in the upcoming episode String Theory. I'm not quite sure how course corrections figure into the equation, but here are some further signs to look for that the Island is an interdimensional nexus of the multiverse. One will be further inconsistencies between the Parachutist and our Losties over recollections of the past. She may remember meeting some of them, but they won't remember her, or vice versa. Another intriguing possibility is that they will use the Satellite phone to make contact with Penny, who will have no recollection of having sent the Parachutist.

* On another note, the Island boosts sperm production. (Way to go Apa Jin!) I'm not sure that kills the immuno-contraceptive idea, especially since the consensus seems to be that Swan was creating the effect electromagnetically. But his vigorous sperm count does rule out the specific kind of immuno-contraceptive used to control wildlife populations like the squirrels of Santa Monica, which tends to inhibit egg and sperm production. By that same token, the apparent boost to the immune system provided by the Island could still be caused by rTMS.

* Jin's uncertain parentage raises some interesting questions. Just who was his father? And could Jin have been born on the Island -- or conceived by someone who was? Perhaps as such, he can only reproduce on Craphole Island...

* Interesting how Sun's borrowing the money to payoff of Jin's mother appears to have been what prompted Mr. Paik to "promote" his son-in-law to enforcer...

* Funny how, the more we get to know Jin and Sun, the more sympathetic the former gets -- Jin's story arc is one of the most remarkable of the show. It's been said before but merits repeating the writers deserve major praise for handling his (and her) story so beautifully.

* Mikhail is back! But...how? Two possibilities occur to me, both of which involve Smokey. First, it's possible that Smokey can possess people, in which case Mikhail's trip through the sonic fence may have cleansed Smokey from his system. Alternatively, perhaps Mikhail died and the Smoke monster snatched his body like it apparently did Christian's and Yemi's...

Sunday, April 22, 2007

In Gott We Trust...

As doomsday equations, time travel, and causal loops seem increasingly central to the mysteries of Lost, I find myself pondering possible scientific/pseudo-scientific inspirations for the show. In the Schizophrenic Theory of Lost, I suggested that the controversial work of psychologist Julian Jaynes might be one such inspiration (i.e., for mind control aspects). In this post, I introduce another potential source, astrophysicist J. Richard Gott, who has written extensively on all three subjects mentioned at the start. I'll begin by discussing Gott's theories, then explain why they lead me to believe that Desmond and Penny may ultimately turn out to be "Adam" and "Eve" in the Caves.



Gott first captured my fancy back in 1999 when the New Yorker profiled his eerily accurate mathematical predictions of the future. The piece described how Gott used the Copernican Principle (i.e., that there's nothing special about our position in the universe) to calculate the probable closing dates of 44 Broadway and off-Broadway shows with 95% accuracy (more or less). Back in 1969, he used the same method to predict a 75% probability that the Berlin Wall would be gone by 1993. And, perhaps most relevant for Lost, Gott similarly calculated a 95% chance that the human race would go extinct no less than 5,100 years, and no more than 7.8 million years, from now.

That last estimate, while comparatively imprecise, is nonetheless reminiscent of the Valenzetti Equation's prediction of the "number of years and months until humanity extinguishes itself." Gott is, of course, hardly the first to have set a date for our species' extinction. Earlier that same year, in fact, physicist Brandon Carter independently offered a more exact estimate, calculating with 95% confidence that we would go extinct in 9,120 years. What distinguishes Gott from other doomsayers are his deep thoughts on subjects like time travel and causality, which also seem germane given Desmond's trip to the past and the resulting appearance of a mysterious second photo of Penny and himself.



Gott has, for example, written a well-regarded popular science book titled Time Travel in Einstein's Universe. Its main point is that time travel into the future via time dilation is not only theoretically possible but empirically proven (e.g., by experiments involving atomic clocks). Gott also argues that time travel into the past is theoretically possible via warped spacetime geometries (i.e., closed timelike curves) analogizing such trips to an MC Escher drawing or Magellan's circumnavigation of the globe. Gott's hypothetical time machine uses cosmic strings to warp spacetime without destroying the traveler. Much of his book is actually available on Google Print, but minus the chapters on backwards time travel.



That brings me to Gott's embrace of causal loops. He theorizes that a closed timelike curve could explain the creation of the universe, which Gott believes was paradoxically birthed from itself at some later date. You read that correctly -- Gott speculates that the universe was actually its own mother! As the early universe rapidly expanded following the Big Bang, quantum fluctuations created many baby universes like branches from a tree. One of those branches then curved around to form the main trunk. According to Gott, this theory avoids the problem of the universe being created out of nothing and explains time's arrow -- anything traveling backwards in time gets caught in the original loop.



I think a similar chronological loop may account for Adam and Eve's presence in the cave. Before I explain why, recall my prior speculation that the Island is home to an emergent species of psychic post-humans (Homo Superior). It's possible they're descended from the Fourtoes or survivors of the Black Rock's wreck, but I believe that Adam and Eve are the likeliest source given the symbolism of their names. Since Desmond is the one character who we're pretty sure didn't inherit his psychic powers (they resulted from activation of the Fail-Safe) I'm guessing that he'll become Adam. After Penny/Eve finds the Island, the two will somehow travel back in time, giving birth to Homo Superior in the past.



One intriguing clue to this outcome is, as others have noted, the black and white stones in Desmond's apartment during his time travel episode. Another huge hint, courtesy of Doc Jensen of EW.com, is that the letters in "DEPARTMENT OF HEURISTICS AND RESEARCH ON MATERIAL APPLICATIONS" (i.e., DHARMA) include "DESMOND HUME" and "PENELOPE." For me, however, the principal appeal of this scenario is its ironic potential. As I've argued previously, Dharma probably concluded that Homo Superior was a threat to humanity. They tried to limit its reproduction using the electromagnet in Swan Station, which "plugged the dam" by creating an immuno-contraceptive effect on the Island.

The irony is that Dharma's attempt to save humanity by limiting Homo Superior's reproduction in the present will be what creates this species in the past, paving the way for humanity's extinction in the future. (Whoah, dude...) Like a branch that loops around to form the tree, or a snake that swallows its tail, Dharma's preventive measures will cause the very problem that originally spurred their adoption -- not to mention the Initiative itself. When Desmond and Penny's children finally lay their parents' bodies to rest in the Caves 40-50 years in the past, the circle of Lost will be complete at last.


Thursday, April 19, 2007

Thoughts on Catch-22...

* The title Catch-22 seems to be a reference to Desmond's dilemma -- i.e., save Charlie or risk changing the future. So did Desmond affect the identity and/or fate of the parachutist by saving Charlie's life? That's not exactly how Ms. Hawking explained course corrections to him. If she's to be believed, Desmond shouldn't be able to affect the parachutist at all because the universe will just course correct...

* Is the cable in the sand how the Others have access to information feeds from the outside world?

* Interesting how Sawyer recovered his mojo in ping pong against Jack, who seemed no slouch himself despite not having played since he was twelve. Hurley was presumably a superior player to both but I wonder if Sawyer's drubbing in prior episodes wasn't partly the result of his brainwashing in the Room. I have a feeling he's a luck-maker just like Hurley (not to mention Carl) and the brainwashing film is designed to control that power...

* What language was that translation of Catch-22? My guess would be Portuguese...

* I'm now wondering if there are multiple entrances to the Island snowglobe, only some of which the Others know about and/or can access. The helicopter presumably arrived through the same conduit as the food pallet. Is there something inherently traumatic about entering Island airspace, even though Swan has been destroyed?

* Did I spy Ms. Hawking in one of the photos on the Abbot's desk?

* Is the second photo of Des and Penny that the parachutist was carrying indication that Desmond's trip through time created paradox? Recall that the photographer took only one shot and made only one copy, at least so far as we saw.

* On a related note, Doc Jensen of EW.com has suggested several times that this might actually be the Desmond Hume and Penny show. He notes, for example, that their names are contained within the letters that make up "Department of Heuristics and Research on Material Applications Initiative" (i.e., DHARMA). My radical new theory, which I'll expand upon in a subsequent post, is that Des and Penny may paradoxically be Adam and Eve, not to mention the source of this new species on the Island. Stated succinctly, activation of the Fail-Safe has given Des a panoply of psychic powers. Penny will find him, and they will somehow travel together into the past, becoming Adam and Eve. The irony is that Dharma's efforts to use Swan to prevent reproduction by a new species on the Island will paradoxically be the source of the very same species! Anyway, stay tuned for In Gott We Trust...

Sunday, April 15, 2007

The Squirrels of Santa Monica...

I recently moved to Santa Monica, where the city has long had a problem controlling the squirrel population. They tried poisoning, gassing, and otherwise euthanizing the critters, but such methods ticked off the animal lovers. Recently, in an effort to control the squirrels non-lethally, the city began vaccinating them with an immuno-contraceptive that inhibits reproduction. So what does all this have to do with Lost? I believe that the Purge was a similar -- albeit more lethal -- effort to limit reproduction on the Island. The motive was Dharma's realization that children born there represent an emergent new species that could very well spell humanity's extinction if allowed to go forth and multiply.



I've speculated previously that the Valenzetti Equation actually predicts humanity's metaphorical "extinction" by evolution into a new post-human species like the Star Child in 2001:ASO or Dr. Manhattan in Watchmen. It turns, out however, that the threat may be more literal, as evidenced by our own history as Homo Sapiens. Most of us think of Neanderthals (i.e., cavemen) as our ancestors. In fact, recent mitochondrial DNA analysis indicates that we Homo Sapiens are a distinct species that evolved separately between 100,000 and 200,000 years ago. Around 80,000 years ago, we swept out of Africa in a mass migration, displacing other Homo species like Neanderthalis, eventually rendering the cavemen extinct. Well, mostly...



Let's say the Island is a kind of fountain of evolution, mutating fetuses into post-human psychics. Think of the mutant children in John Wyndham's sci fi classic, the Chrysalids, which was recommended to me by a poster named gusthepolarbear. Dharma may originally have sought to harness these psychic powers in an effort to influence the core factors of the Valenzetti. At some point, however, they realized that the psychic children could not be controlled. If allowed to leave the Island, the kids would quickly take over the world. If allowed to reproduce, they would eventually displace Homo Sapiens, rendering us extinct like we did the Neanderthals. But how to prevent that parade of horribles from happening?

Dharma couldn't just poison or destroy the Island -- not if they wanted to continue using it for experiments. And efforts to terminate the children probably encountered resistance from those responsible for their care. I've speculated previously that such a conflict over the kids' fate could account for the "AH/MDG Incident" notation on the Blast Door Map. Eventually, Dharma probably decided (much like the city of Santa Monica) that the best solution was to prevent all further procreation on the Island. What they did ain't exactly clear, but some clues to the nature of this biological Purge can be found in Juliet's claim that pregnant women on the Island all die because their bodies attack the fetus like it's a foreign object.



Interestingly, one persistent mystery of science is why all mothers don't similarly "reject" their fetuses, which contain foreign DNA from the fathers. The body's immune system is designed to purge such foreign DNA -- that's why organ donation recipients (e.g., Anthony Cooper) take immuno-suppressants. Somehow, the pregnant mother's body manages to suppress her immune response naturally where the fetus is concerned. The aforementioned vaccine used to limit Santa Monica's squirrel population causes the animal's own immune system to produce antibodies that interfere with the reproductive process. Dharma apparently relied on a cruder and more lethal immuno-contraceptive that spurs the body to attack fetal DNA directly.

Even if the foregoing is true, plenty of questions remain. Why, for example, didn't Danielle or Claire die as a result of exposure to the immuno-contraceptive? Is there something about conceiving off the Island that protects expectant mothers from the contraceptive's effects? And if the latter is true, why don't the Others just avoid the problem entirely by having mothers conceive elsewhere then give birth on the Island?* Any answers to these questions would be sheer speculation. All we know (or think we do) is that someone doesn't want people giving birth on the Island. And if the squirrels of Santa Monica are any guide, an immuno-contraceptive is probably causing the effect. Come to think of it, Ben's chicken could even be dosed with the stuff...



Of course, if you're willing to follow me through the looking glass, consider an even more radical possibility. What if the Island itself is somehow reproducing via parthenogenesis? Perhaps where the fetus is conceived has little bearing on whether mothers live or die -- what really matters is the how. The immuno-contraceptive I've described assumes that the fetus contains some foreign DNA (i.e., from the father). Parthenogenesis, however, involves reproduction using just the mother's own genetic material, which presumably wouldn't trigger immune attack. This raises the intriguing possibility that the Purge wasn't meant to prevent all childbirths, just those that aren't the result of "virgin" conceptions by the Island. Did somebody say Emily Locke?



*ETA: A poster named Johnny Reb offers an excellent answer to this question of why the Others don't take women off the Island to conceive -- there's probably a direct cost to coming and going. My guess would be that each time they open the "door" to the Island dimension, it becomes accessible to new uninvited "visitors." Oceanic 815, for example, arrived when Richard left to photograph Rachel. (System Failure caused the crash but opening the Island "door" placed Oceanic 815 in the Island's vicinity.) Similarly, Desmond arrived when the Others brought Juliet. And Danielle? Perhaps her crew arrived when the last surviving Dharma scientists fled the Island...

Friday, April 13, 2007

Whoops!

As a result of my error, a number of your comments weren't posted yesterday. They should be available now and I'll be responding shortly. Sorry for any confusion!